SOCIALLY STUDYING MUSIC AND MUSICAL SEMIOTICS.

SOCIALLY STUDYING MUSIC AND MUSICAL SEMIOTICS.

Mualliflar

  • G.Y. Yusupova

https://doi.org/10.5281/zenodo.15454896

Kalit so‘zlar

musical semiotics, social identity, power dynamics, cultural theory, musicology, musical meaning, ethnomusicology, political function of music, sound and society

Annotasiya

This article explores the social significance of music through the lens of musical semiotics. It discusses how music is not only a reflection of society but also a powerful force that shapes social experiences, identities, and power dynamics. While some theorists, such as Adorno, emphasize the autonomy of art, others argue for music's direct role in social interaction and political influence. The text critiques the limitations of traditional musicology and social sciences, which often neglect the meaning conveyed by sound itself. It calls for a deeper understanding of how musical sounds contribute to communication, identity, and social change.

Muallif haqida

G.Y. Yusupova

International School of Science, Finance and Technology, teacher; Independent Researcher, UzSWLU

Foydalanilgan adabiyotlar ro‘yhati

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Music as Discourse: Semiotic Adventures in Romantic Music, 2009. Oxford, New York

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Charles Avison, 1752. An Essay on Musical Expression. Davis, London.

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Roland Barthes. 2002. Mitologías. México, D.F.: Siglo XXI Publishers.

Charles Boilés, 1967. "Tepehua Thought-Song: A Case of Semantic Signaling." Ethnomusicology 11(3):267-292

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Deutsch, Diana. 1998. Music Psychology. Academic Press, San Diego.

Eco, Umberto. A Theory of Semiotics. 1976. Indiana University Press, Bloomington.

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Nashr qilingan

2025-05-19

Qanday qilib iqtibos keltirish kerak

G.Y. Yusupova. (2025). SOCIALLY STUDYING MUSIC AND MUSICAL SEMIOTICS. XALQARO ILMIY-AMALIY ANJUMAN “GLOBAL LINGVISTIKA: YANGI YONDASHUVLAR VA TADQIQOTLAR”, 1(2), 518–520. https://doi.org/10.5281/zenodo.15454896

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